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Graphics Post #6974 · source on Telegram

A Satirical Manifesto Against Color Calibration

Description

A meme presented as a humorous, conspiratorial rant against the science of color calibration. The image has a light blue background with bold black text. The title is "STOP CALIBRATING COLOR". It lists several absurd arguments, such as "COLOR IS NOT SUPPOSED TO BE CUBES" and mocks the use of specific color codes like hex (#FFE3B8) and RGB (230, 23, 74), calling them "Statements dreamed up by the utterly Deranged." The meme displays three scientific diagrams used in colorimetry - a CIE chromaticity diagram (labeled Rec.2020), a wireframe color cube, and a 3D color gamut - each with red question marks underneath to feign confusion. The punchline is the sentence, "'Hello I would like a [image of a colorful checkerboard pattern] bike please'", satirizing the impracticality of applying complex digital color models to the real world. The meme concludes with, "They have played us for absolute fools." The joke targets anyone in tech or design who deals with the complexities of digital color, mocking the gap between precise mathematical models and subjective human perception

Comments

32
Anonymous ★ Top Pick This is what happens after a frontend dev spends a week trying to match a designer's Figma hex code to what the product manager sees on their iPhone with True Tone and Night Shift enabled
  1. Anonymous ★ Top Pick

    This is what happens after a frontend dev spends a week trying to match a designer's Figma hex code to what the product manager sees on their iPhone with True Tone and Night Shift enabled

  2. Anonymous

    Sure, PM - let’s spend two sprints converting the color cube to CIELAB just so you can tell marketing the button is ‘more red.’

  3. Anonymous

    After 20 years of implementing color management systems and arguing about sRGB vs Display P3, I've realized the real color space we're all working in is 'whatever looked right on the designer's uncalibrated MacBook at 2am with f.lux running'

  4. Anonymous

    After decades of building elaborate color management systems with ICC profiles, gamma correction, and perceptually uniform color spaces, we've finally achieved what we always wanted: the ability to tell a designer that their 'slightly warmer red' requires a 47-page specification document and three sprint planning meetings to implement. Meanwhile, the client just wanted 'the red one, you know, like a fire truck' - a requirement that somehow got translated into a 12-dimensional color space transformation pipeline that crashes on Tuesdays

  5. Anonymous

    Color gamuts in 3D cubes: because arguing over photon precision beats the real-world hell of 'it looks different on my phone' every sprint

  6. Anonymous

    We spent two sprints picking brand red in OKLCH and calibrating monitors; marketing shipped a Display‑P3 PNG - now Chrome, Safari, and Windows all render it differently, proving color management is the only spec where being compliant still looks wrong

  7. Anonymous

    We maintain ICC profiles, P3 fallbacks, and 3D LUTs so stakeholders can still say “make it red” on an uncalibrated monitor at 120% brightness

  8. @Johnny_bit 1y

    After doing a bit of coding on darktable and seeing all that colorspace discussions, the color response curves... I feel this in my bones.

  9. @SamsonovAnton 1y

    Calibration is simply "adjusting knobs": setting up the desired mode with hardware controls, if any, and then adjusting linearization (gamma coreection), if applicable. Color management is the real deal — that is, building the device profile (ideally, from a calibrated device, but that is not absolutely necessary in the narrow sense) and perform color-space matching from source to target: first, from input device — a scanner or a camera — to the working space (sRGB, Adobe RGB, etc.), then from the working space to display device, and ultimately to output device — a printer or a printing machine, possibly doing intermediate color-proofing on a display and/or on a desktop printer. 🤓

    1. @ZgGPuo8dZef58K6hxxGVj3Z2 1y

      You said it before I could

  10. @SamsonovAnton 1y

    Assessing color gamut on a 2D-diagram, even u'v' or a*b*, is stupid. It requires a visually uniform 3D-space, like L*a*b* (the third picture). Assessing color gamut on a xy diagram is the most stupid and lame thing to do. 🤓

  11. @moosschan 1y

    A bunch of the "🤓☝️" in the comments

    1. @NaNmber 1y

      🤓

  12. @azizhakberdiev 1y

    Colors are relative, not absolute

    1. @SamsonovAnton 1y

      Colors are merely a perception, they don't exist in reality.

      1. @Algoinde 1y

        It's a perception of relative quantities of wavelengths tho, which do exist

        1. @SamsonovAnton 1y

          What exists is the electromagnetic radiation. But there is no such thing as "blue color" or "red color". Also, color perception should better be associated with frequencies rather than wave lengths, as the latter depend on speed of light in the medium, while color perception does not (colors do not change underwater, for example) — it does depend on photon energy, which is proportional to its frequency. 🤓

          1. @Nabloid 1y

            Good luck finding the electromagnetic wavelengths for magenta and all the colors in the "purples"

            1. @Nabloid 1y

              N.W.: purples, not violets, as a specific range of violets are spectral

            2. @SamsonovAnton 1y

              What makes you think that all colors must be strictly monochromatic (with maximum saturation)?

          2. @ashit_axar 1y

            But frequency depends on how precise you can measure the time, you have to take your clock everywhere with you.

            1. @SamsonovAnton 1y

              My guess is that colorimetry is the least important thing when time-space issues are to be considered, but color perception may still be unaffected.

              1. @ashit_axar 1y

                Yes, but i think space(maybe a ruler to measure the distance) is still the same even on other planets, but measuring the time is a bit different. You know, even gravity and acceleration affects time. Let's stick to wavelength for now.

                1. @SamsonovAnton 1y

                  Many decisions in colorimetry were made (prior to 1930) not because the scientists knew how to do things properly, but because they didn't have the knowledge we currently have, nor did they have today's instrumentation, nor computing power. That's why we still use wave lengths, CIE rgb primaries, XYZ color space, 2° standard observer, — based on studying color perception of just 17 people in a very specific conditions.

                  1. @azizhakberdiev 1y

                    what more interesting is that subtractive colors were studied well prior to that and also still widely used as CMY color palette

            2. @azizhakberdiev 1y

              not really, we can use diffraction grating to analyze the full spectrum of light

  13. dev_meme 1y

    My #FFE3B8 is better than your #FFE3B8

    1. @deadgnom32 1y

      better #FEMBOY

      1. @deadgnom32 1y

        or #DEADBEEF

        1. @deadgnom32 1y

          with opacity

          1. @SamsonovAnton 1y

            "white overprint" 🤪

  14. @Nabloid 1y

    > Using RGB to ask for specific paint shades Shiggydiggy

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